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Elise Estelle | Artist behind Elise Estelle Official

Elise Estelle was born in Colorado, but her story was never meant to belong to one place. Raised between Wisconsin and Colorado during the school year and France in the summers, her childhood was shaped by movement — by language, landscape, and the quiet in-between spaces that form a sense of self. That rhythm of transition still lives in her work today.

She has called Wisconsin, Texas, Colorado, Mozambique, France, Germany, and Portugal home — each place leaving its mark. There is something of the traveler in her jewelry. Something nostalgic. Something becoming.

Elise first found her way to metal in 2012 while studying Neuroscience, learning bronze sculpture before ever considering jewelry. After graduating, she met a retired master goldsmith professor who introduced her to goldsmithing and silversmithing. She merged his discipline with her sculptural background, forming her first pieces — jewelry that feels less manufactured and more unearthed. Artifacts of memory. Small monuments to identity.

In 2024, Elise moved to the United States as a single mother, uncertain but determined. On March 1, she marks one year of renting a home for herself and her son — funded entirely through her art. Providing a safe and beautiful home through her hands alone is, she says, her greatest accomplishment. And you can feel that devotion in every piece she makes.

Her work has shown in San Francisco and Los Angeles for the past two years. In 2024, she was awarded a scholarship to exhibit at West Coast Craft — a pivotal moment for the brand. 2025 brought expansion: Recital became her first U.S. retailer, followed by another Colorado retailer shortly after. That same year, Elise Estelle welcomed its first employee.

In 2025, her custom work deepened — anniversary rings, engagement rings, and wedding bands created in close collaboration with couples marking life’s most sacred thresholds. What began as commissions often unfolded into lasting friendships, each piece carrying not just gold and stone, but trust. She opened her home and studio twice for holiday gatherings that year, welcoming collectors into candlelit evenings that celebrated new work and the growing community forming around the brand. And in a quiet but thrilling moment of recognition, her chevalier ring was featured in New York Magazine’s “A Jewelry Collector on the Nicest Fine Jewelry Under $500” by Amber Pardilla — an unexpected affirmation of the magic she’s been steadily building.

Elise’s jewelry feels like memory made solid — a conversation between the girl she was and the woman she is becoming. A museum of her inner world. A promise to her younger self. And a testament to what can be built when you trust your hands, even when the future is undetermined.

Why jewelry? What made metal feel like the right language for your stories?

I still pursue other forms of art, at the moment I am being commissioned for a custom painting that is very personal and resonates with me deeply. I express my vision through my photography as well, and hope to always find myself engaged in various mediums - the experimental aspect is what makes me feel alive. 

Jewelry and metal is very unique and special to me, in that I feel so connected to the earth in this process. Combining aspects of precious stones and metals, fire, wax, clay - sculpting and carving is a very cathartic practice to me, and I still get to speak to shape, form, color, texture, and symbolism. My creation cycle normally doesn't feel complete until I am photographing my work on someone, that's when I feel the “why” and see my vision truly come to life.  Sometimes I don’t have language for what I have created until the entire cycle is complete - and that’s why it never just feels like jewelry or metal to me. I might add - the intrinsic value to metal and gemstones is appealing to me, the idea of creating these meaningful and symbolic artifacts that will exist beyond any of us - that is transcendental to me. Another unique aspect of jewelry for me is the client relationships I build through the process of custom work - jewelry is such an intimate form of art. Everything from learning the size of your clients finger, to the story of the piece we are creating, to sitting with their spouse and learning about what matters to them from a generational and heritage perspective - that for me really transcends trends, time and instant gratification - it is a process of slowing down and honing in on what truly matters and will matter - in an existential kind of way. 


What do you love most about sitting at your bench — the quiet? the repetition? the transformation?

I love the days I go into a flow state. I am very connected to music and working with my hands. Sitting at the bench is a ritualistic experience for me, I always start by lighting candles, cleaning my space, I turn on some music and do my very best to turn off my mind. Once my hands start moving I find it quite easy to get into that flow state - even if i woke up feeling creatively stagnant. I think that is what I love about it most , it truly feels like alchemy to me, not only what takes form in my hands but also the way my energy transforms through my art.

 I have survived and coped through a good amount of trauma and hardship in my life by creating art. For most of my life it has been the only way I have known. It is a healing process for me, and I always hope that is felt through my pieces once inherited to their new homes. 


When someone wears your work, what do you hope they feel?

I hope they feel transformation - in their heart, soul, and spirit. I don't mean this in a way of transforming to a new or “better self” - I mean this sort of alchemy, that they already are everything they need to be in this world - that what they have inside of them is enough. I hope it brings an energy of groundedness, inspiration to move from where they are - not where they think they need to be. 


The chevalier ring feels like more than a piece of jewelry — it feels like lineage. What do horses represent in your life, beyond the literal?

I never intended for it to feel that way - but it makes sense that it does. This piece came purely from my heart. I was in a very dark time and it was long before i was at all “solidified” in my business, I created this piece to get myself through that time. I wanted something that empowered me, and that reminded me of my heritage at the same time. A nostalgic empowerment if you will. 

Horses have been a part of my life since I was born, they were the healing force of my father’s life, and most if not all of my childhood memories with him involve horses. He’s a modern day cowboy and it’s an obsession for him the way art is for me. 

I learned at a very young age that I could feel free on a horse the way art and music made me feel free. I could mount a horse and take off into the canyon lands and feel like I was expressing my truest self without speaking a word. To me, Horses represent breaking free, wildness, self-expression, living unapologetically true to one self, and empowerment, all through a lens of gentleness, kindness, patience, and presence. 

If the Year of the Horse carries a message for you personally, what do you hope it says?

I hope it empowers me to stand up for myself and to stand up for the vulnerable - and I mean that in the most kind and loving way. I love to give - from my heart and my soul, that is what my art is. But I am not always wise in who I give myself to, I hope this year helps me step into a wild mare energy - I don't want to forfeit the kindness and gentleness in my spirit, but I want to expect that kind of treatment in return for myself and for those who are most vulnerable. Being kind and being treated kindly in return is what helps me to feel wild, free, and empowered to be my full authentic self - I hope to focus on surrounding myself with people, spaces and opportunities that embody that kind of gentle empowerment, and i hope that message will speak through the art I make this year. I hope to see that impact ripple throughout my community and the world at large.

Willow Coat in Butter Nappa Leather

Willow Coat in Butter Nappa Leather

$1,980.00
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Your work feels like a museum of your inner world. Is there a memory you haven’t yet turned into a piece?

Many! I hope there will always be. 

I don't have a lot of memories from childhood - but mostly feelings about certain experiences and environments. When i am able to tap into a specific memory, place or thing, I try to show that in my work, because it is rare. I am working on bringing more of my memories back to life through therapy and embodied healing practices but yes there is still a lot for me to share - both about my inner world and what I observe in the world around me.


Do you design from longing, from gratitude, or from something else entirely?

I design from a mix of nostalgia, longing and fantasy, but also presence -  it’s a combination. It’s not really something I can put into a box - It just is. And it depends on my mood, the phase of my life, the phase of my business, where I am in my menstrual cycle - Ha! 

A lot of my designs feel heritage-inspired. I am deeply connected to my French and North African roots, these cultures and lands inspire so much in me creatively. For example, my first collection, La Mer, was inspired by a summer I spent in the south of France with my grandparents when I turned 10. We spent this summer collecting sea urchins, basking in the sun, driving to chateaus and getting fresh seafood from the marche. The limoncello is another example of my french heritage, because lemons belong in everything, everywhere - citrus trees were always a part of the french landscape in the summer time, and i always cook with lemons, always. Those are just a few examples!


What does “becoming” look like to you right now?

Becoming right now is tender - it looks like allowing hopes and dreams to dissolve into the background, and allowing reality to take center stage. I am at a point in my life where I am facing a lot of difficult truths, aging as a woman in today's world is just bizarre at best. I have desires to build a family, have more children, own a home, etc that have always driven me into a point of despair and confusion - holding onto things that hurt me, or no longer serve me. Trying to force, control, or adjust myself to fit someone else’s narrative - hoping that will be enough. Becoming right now means risking losing all of that, in order to be honest with myself about what is more important - doing the thing, or doing the thing right with the right person , and in a way that does not hurt me at a soul level. Crumbling with those personal narratives has come with a deconstructing of a lot of other aspects i see in the world, learning how to exist in that without completely losing myself, and hopefully, ultimately being a source of inspiration and hope to other women and girls today and in the future - that would be my absolute hope and dream for who i am “becoming”. 


Has motherhood shifted the way you think about legacy or heirlooms?

Absolutely. It did before I even had conceived him. But I remember the night I conceived him and the very next day I felt my view of myself and the world completely change. It’s been a long process of learning to be kinder to myself. I always saw the world clearly - perhaps too clearly, I feel the darkness and the foolishness of the world. I have always felt a strong desire to build a legacy, one that helps people heal themselves, or at least health within themselves. That has only been amplified with motherhood. A lot of that process has and still looks like my own healing and survival, but I feel strongly this year that will shift to impacting others in their own journey. 


My son is the purest form of love I have ever witnessed. I take great pride in raising a boy who will one day be a man - it is a daunting task, a privilege, because I feel a responsibility in shifting a narrative in what it means to raise a man. He teaches me that he naturally embodies so much of what this world needs and most of my job comes down to teaching him accountability and discretion. Raising a boy as a single mom is another kind of experience, I don’t have any brothers so every stage of this has been completely new to me (he is 7!). He watches me provide for a home, create and maintain a home, run a small business, make art, maintain friendships and relationships and all the things entailed in raising a little boy. He often sits in the studio with me and makes his own designs, some of which have become real pieces of jewelry! I often think about how that is all legacy in and of itself. I hope he grows up respecting and honoring that a woman brought him into this world - as woman have brought all of us into this world. Why that is so easy for some people to ignore is beyond me, but I hope I raise a man who really gets that. It’s a non - negotiable to me. 

This all relates to heirlooms in an exquisite way, because we dont just pass on to our children physical objects, we pass onto them who we are. We determine how much they are armored for the world and how much they have to “unlearn”. When we pass on an heirloom piece of jewelry, that sentimental value is always increased with how much the inheritor felt connected to the person passing it on. People always show me their heirloom pieces, and the people who are the most lit up and excited to show are the ones who had very close and special relationships with the person it came from . It feels obvious to point that out, but that is very important when you think about it. We assign so much meaning in emotional ways to sentimental objects like heirloom jewerly- so how we behave, who we are, what we stand for - that is all a part of the legacy, that transfers on in the ring that you wear from your great-grandmother. You don’t just remember that she existed - you remember who she was. 


I want to add that our primary focus on heirloom custom jewelry is in solid gold, white gold and platinum and mostly honors special occasions like engagements, anniversaries, and heirloom redesigns recycling client’s existing stones and metals! 

If you were to make your son a piece one day to wear when he’s grown, what would it look like?

Oh goodness! I have been making him pieces since he was a baby. 


I’d love to make him many more pieces. I’d love his design input because he already comes up with such creative ideas. I’d love to make him a ring with a garnet - his birthstone. If he gets married I hope he would choose me to make his wedding ring, that feels like a true heirloom story to me :) 


If your life right now were a gemstone, what would it be?

What a great question. 


I think I’d have to pick a red garnet. That happens to be my son’s birthstone, and I feel so much purpose in motherhood right now, like a fierce, protective, wise mother energy. But this stone also embodies emotional bravery, and loving fiercely without abandoning oneself. I love deep, and I love fierce - I always will. But I am learning how to not abandon myself in that. Emotional bravery for me doesn’t look like expression, because that is something that comes naturally to me, it is about being selective and protective about where I offer this expression. 


This isn’t the flashiest gemstone, and i’m not in a flashy place in my life. It is however rooted in integrity, it has a deep rich red which matches the year of the fire horse, and it is still a hard and durable stone. 


What feels sacred to you this year? What are you shedding this year?

Being a mother and an artist feels sacred to me this year. Learning how much I want to give this world feels sacred to me, I want to hone in on “how can I best give of myself?”

 

Standing up for integrity and truth feels sacred to me this year- protecting the innocent and the vulnerable. Protecting the children of our world. Burning down the systems that inflict harm - rebuilding a safer world. Being accountable for myself and my own shortcomings. Building a business rooted in integrity. Being the best I can be - that all feels sacred to me. 


I am shedding giving in the wrong places, hiding myself, playing small, shrinking myself to fit into boxes where I don’t belong. 

Follow Elise @eliseestelleofficial

Nicole Nagy

Nicole Nagy

Contributing Writer / Photographer

Nicole is a Denver-based writer, photographer and designer with an eye for detail, texture, and the stories people carry with them. For Recital, she captures creatives in their own environments—where style, work, and daily life naturally intersect.